由优秀导演刘易斯·艾伦执导、汇聚雷·米兰德,安·托德,杰拉丁·菲茨杰拉德优秀演员阵容的痴心女子负心郎,将1948年度英语语系与美国文化完美交融,带来一场与众不同的视觉和听觉盛宴。
值得一提的是,该片在上映后迅速收获了网友的一度热评,平均分竟高达1.0分!这都印证了影片优秀品质与广泛认可度。
影片所呈现的Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, al仅仅是个引子,真正的故事魅力还需从Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.中细细品味——不论是扣人心弦的剧情设计,还是对于人性、情感、社会话题的探讨,都给人留下颇为深刻的印象。同时,导演在幕后 方面也注入了大量巧思,让整部作品更加耐人寻味。
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