由优秀导演Barry,Shear执导、汇聚谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯优秀演员阵容的狂野街头,将1968年度英语语系与美国文化完美交融,带来一场与众不同的视觉和听觉盛宴。
值得一提的是,该片在上映后迅速收获了网友的一度热评,平均分竟高达5.0分!这都印证了影片优秀品质与广泛认可度。
影片所呈现的Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 仅仅是个引子,真正的故事魅力还需从
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
中细细品味——不论是扣人心弦的剧情设计,还是对于人性、情感、社会话题的探讨,都给人留下颇为深刻的印象。同时,导演在幕后方面也注入了大量巧思,让整部作品更加耐人寻味。如果你对 或 剧情,科幻,恐怖,恐怖片 题材情有独钟,《狂野街头》无疑是一个不容错过的选择。欢迎走进它的世界,感受时长约的美妙时光,在这里,你将邂逅惊喜、震撼与思考。
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