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《倒计时》剧情介绍

由优秀导演大卫·格瑞尼执导、汇聚珍妮·艾加特,布莱恩·马歇尔,Clare,Sutcliffe,西蒙·沃德优秀演员阵容的倒计时,将1969年度英语语系与英国文化完美交融,带来一场与众不同的视觉和听觉盛宴。

值得一提的是,该片在上映后迅速收获了网友的一度热评,平均分竟高达0.0分!这都印证了影片优秀品质与广泛认可度。

影片所呈现的The story appears simple on the surface, but is revealed, especially after multiple viewings, as mor仅仅是个引子,真正的故事魅力还需从

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com

中细细品味——不论是扣人心弦的剧情设计,还是对于人性、情感、社会话题的探讨,都给人留下颇为深刻的印象。同时,导演在幕后方面也注入了大量巧思,让整部作品更加耐人寻味。

如果你对 或 剧情片 题材情有独钟,《倒计时》无疑是一个不容错过的选择。欢迎走进它的世界,感受时长约的美妙时光,在这里,你将邂逅惊喜、震撼与思考。

更多关于 等剧情亮点,敬请在 dianying 圈层内持续关注。让我们共同见证这部佳作带来的全新冲击!

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