O somma luce

由优秀导演让-马里·斯特劳布执导、汇聚Giorgio,Passerone优秀演员阵容的O somma luce，将2010年度其它语系与法国文化完美交融，带来一场与众不同的视觉和听觉盛宴。

值得一提的是，该片在上映后迅速收获了网友的一度热评，平均分竟高达2.0分！这都印证了影片优秀品质与广泛认可度。

影片所呈现的　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-av仅仅是个引子，真正的故事魅力还需从

　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

中细细品味——不论是扣人心弦的剧情设计，还是对于人性、情感、社会话题的探讨，都给人留下颇为深刻的印象。同时，导演在幕后方面也注入了大量巧思，让整部作品更加耐人寻味。

如果你对 或 短片,剧情,剧情片 题材情有独钟，《O somma luce》无疑是一个不容错过的选择。欢迎走进它的世界，感受时长约的美妙时光，在这里，你将邂逅惊喜、震撼与思考。

更多关于 等剧情亮点，敬请在 dianying 圈层内持续关注。让我们共同见证这部佳作带来的全新冲击！

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